Today I’m thrilled to have
agent Katelyn Uplinger here. She is a literary agent at D4EO Literary Agency.
Hi Katelyn! Thanks so much for joining us.
About Katelyn:
1. Tell us how you became an
agent, how long you’ve been one, and what you’ve been doing as an agent.
I’m
a newer agent, but I’m not new to the industry. I got my start as a freelance
editor with indie authors, small presses, and Big 5 imprints. Once I decided I
wanted to be an agent I spent about two years as an intern and assistant at
agencies like Inklings Literary Agency and Folio Literary Management while
continuing to edit. I joined D4EO in 2018 and I’m happy to be here. Right now
I’m spending a lot of time building my client list.
About the Agency:
2. Share a bit about your
agency and what it offers to its authors.
Bob Diforio launched D4EO Literary
Agency in 1989 after a long career at the New American Library
(NAL), now an imprint of Penguin Random House. Today D4EO is a full-service literary
agency representing authors of a very broad range of commercial fiction
and non-fiction for children, young adults, and adults.
Books represented by the agency have topped
the New York Times and USA Today bestseller lists, and
agency authors have received awards that include the Daphne du Maurier
Award for Excellence in Mystery/Suspense and the Nero Award, as well as
nominations for the Hugo Award, among many other notable successes.
With over 1,500 published books under
contract, the agency has launched the writing careers of more than two
hundred authors.
What She’s Looking For:
3. What age groups do you
represent—picture books, MG, and/or YA? What genres do you represent and what
are you looking for in submissions for these genres?
I
represent YA and adult works. Genres I’m always looking for include science
fiction and fantasy, romance, historical fiction and nonfiction, and horror. I
do my best to keep my personal website up to date when it comes to what I’m
looking for.
4. Is there anything you would be especially
excited to seeing in the genres you are interested in?
I love
when historical crosses with other genres and I wish I got more historical
fantasy and historical horror queries. I’m always looking for something creepy
and fresh in historical and young adult. I’d also love to see more ancient
history including the Stone Age like in the book Ivory and Bone by Julie Eshbaugh. In romance I’d love to see more romcoms whether in
contemporary, historical, or something else.
What She Isn’t
Looking For:
5. What types of submissions
are you not interested in?
The
majority of historical submissions I get are about WWI or WWII and I’ve gotten
worn out on those. I like a good mystery included in a story, but I’m not the
best choice for cozy mysteries, cop procedurals, or anything about the FBI,
CIA, or terrorists. Military stories including military science fiction are
also hard to sell me on.
Agent Philosophy:
6. What is your philosophy
as an agent both in terms of the authors you want to work with and the books
you want to represent?
I like
authors who are committed, professional, and open-minded when it comes to
revisions. As an agent I want to build long-term relationships with my clients
so I want authors willing to put in the time and who aren’t easily discouraged.
When it comes to books I love books that speak to me personally and aren’t
afraid to be bold.
Editorial Agent:
7. Are you an editorial
agent? If so, what is your process like when you’re working with your authors
before submitting to editors?
I
am a very editorial agent. I usually take at least one editing round with my
clients before going on submission. I send them an edit letter and make
comments in Track Changes on the manuscript. We’ll take as many rounds of edits
as a project needs before going on submission. My clients also have different
revision processes which can change how we interact during revisions. Some
bounce ideas off me and check in during revisions while others like to focus on
edits with as little interruption as possible.
Query Methods and Submission
Guidelines: (Always verify before submitting)
8. How should authors query
you and what do you want to see with the query letter?
I
can be queried via my Query Manager form here: http://QueryMe.Online/1328 I do not
accept queries via email. I like to see the first three chapters and comp
titles with the query. Everything I want is listed on the form.
9. Do you have any specific dislikes in query
letters or the first pages submitted to you?
I
don’t like queries that focus on the author and themes more than plot because
it often leaves me unsure of what the book is about. I want to know exactly
what the plot is. Other than that I’m always looking for eye-catching concepts
and great writing.
Response Time:
10. What’s your response
time to queries and requests for more pages of a manuscript?
I
try to respond to queries within six weeks. Right now on average it takes me
anywhere from one day to three weeks to respond, so response time varies. I do
my best to get back to authors on full requests within three months but that
can change depending on my schedule. Around the holidays my response times tend
to take longer.
Self-Published and Small
Press Authors:
11. Are you open to representing authors who have
self-published or been published by smaller presses? What advice do you have
for them if they want to try to find an agent to represent them?
I
am open to representing self-published authors and authors form smaller
presses. I’m looking to represent new books, not ones already published. I get
a lot of queries on books that have already been published and I wish those
authors would instead wait to send me the next one before publishing it. My advice
is to query a new book and keep the letter professional without complaining
about how hard self-publishing is or how much you didn’t like your small press.
12. With all the changes in
publishing—self-publishing, hybrid authors, more small publishers—do you see
the role of agents changing at all? Why?
I
think the role of agents will stay fundamentally the same despite the small
changes that may happen. In the end we are here to help authors build their
careers and be their allies and I think that will always be useful for authors.
Clients:
13. Who are some of the
authors you represent?
Anne
Wagener, Alexandria Rogers, and Amy Wilson.
Interviews and Guest Posts:
14. Please share the links
to any interviews and guest posts you think would be helpful to writers
interested in querying you.
N/A
Links and Contact Info:
15. Please share how writers
should contact you to submit a query and your links on the Web.
Find
my query form here: http://QueryMe.Online/1328
My
personal website: www.katelynuplinger.com
My
Agency website: https://www.d4eoliteraryagency.com/
Additional Advice:
16. Is there any other
advice you’d like to share with aspiring authors that we haven’t covered?
Don’t
be afraid to get feedback and critique on your writing. Learning to take
critique is one of the best skills you’ll learn as an author. Some of the most
polished submissions come to me from authors with multiple critique partners as
well as authors who are great revisers. Remember no writer is perfect. Everyone
had to work hard to get their writing to the level you see in their books. It’s
normal to feel embarrassed or scared when getting feedback, but it’s all part
of the process.
Thanks for sharing all your
advice, Katelyn.
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Profile Details:
Last Updated: 6/4/2020.
Agent Contacted for Review? No.
Last Reviewed By Agent? N/A.
Comment: 6/4/2020 update was just to confirm Ms. Uplinger is still an agent at her agency and open to submissions.
Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com
Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.