Happy Monday Everyone! Today I’m excited to have debut author Kim
Smejkal here to share about her YA fantasy INK IN THE BLOOD. It explores ink
and tattoo magic, which sounds fascinating.
Here’s a blurb from Goodreads:
A lush, dark YA fantasy debut that weaves together tattoo magic, faith, and eccentric theater in a world where lies are currency and ink is a weapon, perfect for fans of Leigh Bardugo and Kendare Blake.
Celia Sand and her best friend, Anya Burtoni, are inklings for the esteemed religion of Profeta. Using magic, they tattoo followers with beautiful images that represent the Divine’s will and guide the actions of the recipients. It’s considered a noble calling, but ten years into their servitude Celia and Anya know the truth: Profeta is built on lies, the tattooed orders strip away freedom, and the revered temple is actually a brutal, torturous prison.
Their opportunity to escape arrives with the Rabble Mob, a traveling theater troupe. Using their inkling abilities for performance instead of propaganda, Celia and Anya are content for the first time . . . until they realize who followed them. The Divine they never believed in is very real, very angry, and determined to use Celia, Anya, and the Rabble Mob’s now-infamous stage to spread her deceitful influence even further.
To protect their new family from the wrath of a malicious deity and the zealots who work in her name, Celia and Anya must unmask the biggest lie of all—Profeta itself.
Celia Sand and her best friend, Anya Burtoni, are inklings for the esteemed religion of Profeta. Using magic, they tattoo followers with beautiful images that represent the Divine’s will and guide the actions of the recipients. It’s considered a noble calling, but ten years into their servitude Celia and Anya know the truth: Profeta is built on lies, the tattooed orders strip away freedom, and the revered temple is actually a brutal, torturous prison.
Their opportunity to escape arrives with the Rabble Mob, a traveling theater troupe. Using their inkling abilities for performance instead of propaganda, Celia and Anya are content for the first time . . . until they realize who followed them. The Divine they never believed in is very real, very angry, and determined to use Celia, Anya, and the Rabble Mob’s now-infamous stage to spread her deceitful influence even further.
To protect their new family from the wrath of a malicious deity and the zealots who work in her name, Celia and Anya must unmask the biggest lie of all—Profeta itself.
Hi Kim! Thanks so much for joining us!
1. Tell us about yourself and how you became a writer.
I’ve been a writer since I was a kid! That’s a dull answer, but it’s
true. I’ve always been a reader, a writer, a poet. I stepped away for a while
in my twenties to focus on my education and my kids, but I inevitably came back
to it. Being a book nerd is just part of who I am.
2. Where did you get the idea for INK IN THE BLOOD?
The initial seed of inspiration came from a conversation I had with my
father. He left Czechoslovakia in 1968, and told me that the worst part of
living under a communist regime wasn't the lack of freedom, but the constant
flow of lies from those in charge. I wondered, how big could one lie get? What
would happen if people wanted to believe that lie over the truth? If one lie
could become so powerful, what would it take to expose it? As I played around
with those ideas, the antagonist in Ink in the Blood was born. Then from there,
I added everything I loved: theater, masks, tattoos, a fierce friendship, and
of course, MAGIC.
3. What a great way to get a story idea. I love your magical system, which is based in part on ink and
tattoo magic. What was your world building process like?
My world-building process included a lot of experimentation! It always
made sense in my head, but I had a lot of back-and-forth conversations with
critique partners, my agent, and my editor to make sure what was in my head
translated to the page. I have a huge document with rules, examples, and
information that I updated constantly, and now it serves as an INK
encyclopedia. Much of my revision process was answering questions like Why? and
How? and even though it was a process, I think it worked out really well
in the end!
4. That sounds like a good way to tackle world building. You have a content warning on your website where you warn that your
story contains violence, torture, blood, violence against children, and other
difficult issues. How did you balance the need to tell a story that is violent
and addresses other hard issues with the fact that you are writing in part to a
young adult audience?
I’m always cognizant of my audience, and I make sure that I stay far
away any gratuitous violence.
Every difficult scene serves a thematic purpose.
That said, I don’t believe in censoring tough topics from children and young
adults. I think young people are good about censoring themselves, and generally
only read what they’re comfortable with. With Ink in the Blood, I made sure to
introduce the world authentically right from the beginning. The fact that it's
a dark book is obvious from chapter one, and this gives readers the opportunity
to close it and put it aside if they feel it might be too much for them.
5. Celia, Anya, and the other characters have been described as
complex, well-developed characters. Character development is difficult for many
writers. What are your secrets for creating memorable ones in your story?
I’m thrilled people are reacting so strongly and warmly to Celia,
Anya, the plague doctor, and the other characters. For me, every story begins with
the characters. I imagine fully realized people and—very importantly—how they
relate to one another. I was a social worker for many years and empathy might
be my superpower? I think that in order to create complex characters, a writer
needs to be able to put themselves in their characters shoes and show authentic
needs, wants, and behaviors. That’s really my only secret!
6. It's a great secret. Thanks for sharing it. Dan Lazar is your agent. How did he become your agent and what was
your road to publication like?
My road to publication is a long story, involving many manuscripts,
many queries (and so many rejections!), many contests I didn't get anywhere in,
an agent I parted ways with, and a two-year sanity hiatus where I stepped away
from trying to be traditionally published altogether. It was rough. With INK
though, I knew I had something special. When I began querying Ink, I submitted
to Dan because I’d always submitted to Dan in the past. It had become a
bit of a joke between my writer friends and I that I wasn’t truly querying
until I got my lightning-fast rejection from Daniel Lazar. :D But then he took
my by surprise and requested the full, loved it, and after his offer of
representation came other offers. After about 8 years of
writing/querying/repeat, no one was more surprised that I was about how quickly
things came together in the end! He was able to sell INK super quick and I’m so
grateful he’s by my side on this journey.
7. I love your road to publication story. How are you planning to promote your book? Are your plans different
because you live in Canada and your book is being published in the United
States?
It is really difficult to be in another country, and on an island at
that! The expenses of travel means options for conferences, conventions, and
signings are limited. Sending swag and arcs through the mail is that much more
expensive, and that’s the main reason I didn't do a preorder campaign. I do
have a wonderful Canadian distributor, Raincoast Books, and they've been great
at finding me opportunities for promotion in Canada though, so that's a win!
8. How have you been building your social network platforms and
connecting to other writers, authors, and readers? What advice do you have for
those who don’t have a publishing contract yet?
Well, like I said above, I was deep in the querying trenches with
other projects for years, and I was lucky enough to meet some brilliant
writers, cheerleaders, and critique partners along the way. Many of the same
people I connected with years ago are still some of my best friends. Twitter,
Instagram, and mentoring opportunities like Author Mentor Match and Pitch Wars
are excellent ways to find people at the same stage as you. My own experience
taught me that the biggest key to any kind of success is perseverance, and it
helps to have people cheering for you and supporting you on what can often be a
long road.
9. What are you working on now?
I’m
currently putting the finishing touches on the sequel to Ink in the Blood!
CURSE OF THE DIVINE is set to release in early 2021, and I’m excited for people
to read the continuation of the inklings’ story. After that, I have an older
fantasy project I’m excited to revisit, as well as a new story idea I can't
wait to draft. Too many projects, not enough time, which is relatable for many
writers, I’m sure!
Thanks for sharing all your advice, Kim. You can find Kim at
If you mention this contest on Twitter, Facebook, or your blog or follow me on Twitter, mention this in the comments and I'll give you an extra entry. You must be 13 years old or older to enter. This giveaway is U.S. and Canada.
Here's what's coming up:
Wednesday, February 5th I have an interview with debut author Adalyn Grace with a giveaway of her YA fantasy All the Stars and Teeth and a query critique by her agent Hillary Jacobson and my IWSG Post
Monday, February 10th I have an interview with author Katya de Becerra and a giveaway of her YA fantasy Oasis
Monday, February 24th I have an agent spotlight interview with agent Megan Manzano and a query critique giveaway
Hope to see you on Wednesday, February 5th!