Today I’m thrilled to have agent Megan Manzano here. She is a literary
agent at D4EO Literary.
Hi Megan! Thanks so much for
joining us.
It’s my pleasure. Thank you so much for having me!
About Megan:
1. Tell us how you
became an agent, how long you’ve been one, and what you’ve been doing as an
agent.
I’m a newer agent, but started off as a literary intern/apprentice
for about a year and a half before joining D4EO Literary. Prior to agenting, I
worked in editorial for academic and indie fantasy publishers for about four
years and freelanced alongside that. I am currently building my client list and
am really on the hunt for new and fresh voices in kidlit.
About the Agency:
2. Share a bit about
your agency and what it offers to its authors.
Robert G. (Bob) Diforio launched the eponymous D4EO Literary Agency in
1989 after a long career at the New American Library (NAL/Dutton), now an
imprint of Penguin Random House. The agency is named after him (D4EO, for
Diforio).
Today D4EO is a full-service, multi-agent
literary agency representing authors of a very broad range of commercial
fiction and non-fiction for children, young adults, and adults.
Books represented by the agency have topped the New York Times and USA Today bestseller lists, and agency authors have received awards that include the Daphne du Maurier Award for Excellence in Mystery/Suspense and the Nero Award, as well as nominations for the Hugo Award, among many other notable successes.
With over 2,000 published books under contract, the agency has launched the writing careers of more than two hundred authors.
Books represented by the agency have topped the New York Times and USA Today bestseller lists, and agency authors have received awards that include the Daphne du Maurier Award for Excellence in Mystery/Suspense and the Nero Award, as well as nominations for the Hugo Award, among many other notable successes.
With over 2,000 published books under contract, the agency has launched the writing careers of more than two hundred authors.
What D4EO really offers to authors is a wealth
of knowledge about the industry and agents who are passionate about the clients
they take on.
What She’s Looking
For:
3. What age groups do
you represent—picture books, MG, and/or YA? What genres do you represent and
what are you looking for in submissions for these genres?
I represent MG and YA across most genres; I do not accept
nonfiction, chapter books, picture books, or graphic novels however.
What I’m most looking for are strong character voices,
stories from marginalized authors, and stories that keep me hungry for more or
I read in one sitting. Whenever I read I want to fall into the world and walk
alongside the characters. I’m a sucker for punchy openings, darker characters,
and speculative elements.
4. Is there anything you would be especially
excited to seeing in the genres you are interested in?
Absolutely. These are the genres I’m most interested in and
what I’m looking for, but at the moment, I’d love some contemporary MG!
- Science Fiction: Literally
everything. Give me your end of the world disasters, your post-apocalyptic
societies, your stories of survival, your stories set in space, time
travel, your gripping futuristic worlds filled with robots. Give me
virtual reality, AIs, and overall chaos.
- Fantasy: Give me a spin on
classic fairytales, light fantasy, magical realism, your everyday
societies with a spark of magic, and your gritty urban underground worlds.
Got Fae? Yes, please. Got someone overthrowing a magical overlord? Even
better.
- Contemporary: Give me some
darker contemporary with complex family dynamics or odd jobs or shadows
lurking in a forest. I am also massively requesting quiet young adult
stories – ie stories with more personal and character driven stakes.
- Romance: I’d absolutely
love more diverse romances, best friends to lovers, slow burn, and stories
that make me feel good while reading.
What She Isn’t
Looking For:
5. What types of
submissions are you not interested in?
I am not the best fit for:
- Stories containing vivid descriptions of demon
possession, exorcisms, or hauntings. Gore, creepy elements, and atmosphere
are fine.
- Animal protagonists
- Erotica
- Historical Fiction
Agent Philosophy:
6. What is your
philosophy as an agent both in terms of the authors you want to work with and
the books you want to represent?
As an agent, I’m here to work alongside an author and make
their work as strong as it can be while also trying to get it into the hands of
publishers who will love it as much as I do. I’m not an agent that’s around for
a project but rather an author’s career. I want to see an author grow and bring
their stories into the world. I want an author who’s passionate and hardworking
and open to revisions.
I want books that will be able to reflect someone in its
pages. Being a kid/teen is challenging and the more stories we have to show
them they’re not alone, the better.
Editorial Agent:
7. Are you an
editorial agent? If so, what is your process like when you’re working with your
authors before submitting to editors?
I’m 100% an editorial agent. With every manuscript I read,
I’m taking notes as I go about plot structure, character development, pacing,
etc. If I offer on a client and they choose to work with me, I will go over the
notes I have with them via an edit letter and then through a call so we can
brainstorm how to work through them together. I like the editing process to be
a collaborative experience so the author’s message doesn’t get lost, but also
so they understand where I’m coming from. I go over what’s working and what
isn’t and come up with solutions to make the manuscript as polished as
possible.
For some manuscripts, this may be one round of edits. For
others, it may be multiple. But once the developmental editing is done, I will
line edit and proof read before going out on submission to editors.
Query Methods and Submission
Guidelines: (Always verify before submitting)
8. How should authors
query you and what do you want to see with the query letter?
Authors should query me with their query, synopsis, and
first five pages of their manuscript via QueryManager. What I
love to see in a query is who your main character is, what they want, what is
preventing them from getting what they want, and the stakes of the story. I
also want to know the brief technical details of your story: title, word count,
genre, and comp titles.
9. Do you have any specific dislikes in query
letters or the first pages submitted to you?
For query letters, I’m not a fan of submissions that only
include a biography about an author. While I’d like to know a little bit about
a writer, I’m more interested in getting the hook of the story.
For first pages, I’m not a fan of submissions that are
exposition heavy (more focused on details than character) or pages that start
directly in the action. While the latter can work, oftentimes I don’t get
enough about the character or the world to properly ground myself in the story.
Response Time:
10. What’s your
response time to queries and requests for more pages of a manuscript?
This really depends on my day job and what’s happening in my
life but I try to be as time effective as possible with responses. You can
expect to hear back from me within 24 hours to a month and a half for most
queries or requests. If it’s taking me longer, I’ll post about it on my twitter
or leave a note on my submission form.
Self-Published and
Small Press Authors:
11. Are you open to representing authors who have
self-published or been published by smaller presses? What advice do you have
for them if they want to try to find an agent to represent them?
Absolutely. If you have self-published or been published by
smaller presses, makes sure to include the titles and publishers in the bio
section of your query so agents are able to easily find your books.
12. With all the
changes in publishing—self-publishing, hybrid authors, more small publishers—do
you see the role of agents changing at all? Why?
I don’t think the role of the agent will change as there
will always be authors who want to pursue the traditional publishing route.
However, I can see more hybrid authors in the future or more authors with
self-published works prior to seeking representation. An agent will still be an
author’s champion and advocate regardless of how the industry changes.
Clients:
13. Who are some of
the authors you represent?
Natalie Crown who is a pro at writing vivid and plot twist
galore YA fantasy.
Esme Symes-Smith who is so good at writing characters that
stick with you in MG and YA.
Interviews and Guest
Posts:
14. Please share the
links to any interviews and guest posts you think would be helpful to writers
interested in querying you.
My Query &
Synopsis Tip Sheet: https://meganmanzano129.wordpress.com/2019/03/26/breaking-down-the-dreaded-query-and-synopsis/
How to Craft Strong
Opening Pages:
The QueryHack Series
– Where me and former literary agent Meg LaTorre review opening pages/queries
and answer questions about the industry:
Podcast with Sarah Nicolas: https://www.youtube.com/watch?v=abewI_ybmIQ (11/2020)
Links and Contact
Info:
15. Please share how
writers should contact you to submit a query and your links on the Web.
Writers should always query me via QueryManager. Any
queries sent to my personal or work email will be deleted, unread. If you’d
like to find me, here are my social media accounts.
Twitter: https://twitter.com/Megan_Manzano
Agency Website: https://www.d4eoliteraryagency.com/
Blog with my MSWL: https://meganmanzano129.wordpress.com/
Additional Advice:
16. Is there any
other advice you’d like to share with aspiring authors that we haven’t covered?
Always do your research when building a list of agents to
query as well as if you get an offer of representation. You want to make sure
an agent is the best fit for not just you as a person but for your career
goals. Don’t be afraid to ask questions during the call, whether it’s about the
agency contract, an author’s clients, where they foresee submitting your book
to, etc. You want to have all the answers and information needed to make the
right decision for your work.
Thanks for sharing all your advice, Megan.
If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.
Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com
Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.
