Happy Monday Everyone! Today I’m
excited to have debut author Laekan Kemp here to share about her YA
contemporary Somewhere Between Bitter and Sweet. It sounds like a fantastic
story about Pen, a Mexican-American teen trying to follow her dreams and her
first love, Xander. And it has food! Being part of my late husband’s Mexican-American
family, I am super excited to read it.
Here’s a blurb from Goodreads:
I'm Not Your Perfect Mexican Daughter meets Emergency Contact in this stunning story of first love,
familial expectations, the power of food, and finding where you belong.As an aspiring pastry
chef, Penelope Prado has
always dreamed of opening her own pastelerÃa next to her father's restaurant,
Nacho's Tacos. But her mom and dad have different plans -- leaving Pen to
choose between disappointing her traditional Mexican-American parents or
following her own path. When she confesses a secret she's been keeping, her
world is sent into a tailspin. But then she meets a cute new hire at Nacho's
who sees through her hard exterior and asks the questions she's been too afraid
to ask herself.
Xander Amaro has been
searching for home since he was a little boy. For him, a job at Nacho's is an
opportunity for just that -- a chance at a normal life, to settle in at his
abuelo's, and to find the father who left him behind. But when both the
restaurant and Xander's immigrant status are threatened, he will do whatever it
takes to protect his new found family and himself.
Together, Pen and Xander
must navigate first love and discovering where they belong -- both within their
families and their fiercely loyal Chicanx community -- in order to save the
place they all call home.
Follower News
Before I get to my interview with Laekan, I have
Follower News to share. JQ Rose has a new MG nonfiction release, Girls Succeed! Stories Behind the
Careers of Successful Women. Here’s a blurb and a few links: Discover the inspiring stories of sixteen contemporary
women who had ambitious dreams when they were girls. Find out how they
made those dreams come true! Girls Succeed: Stories Behind the Careers of
Successful Women includes stories
about 21st-century women who have discovered cures to stamp out disease, made
people laugh, earned Olympic and Paralympic gold medals and crossed the country
behind the wheel of an 18-wheel semi-truck. Meet the people who mentored these
dreamers and helped them to negotiate the curves and bumps along the way.
Links: BUY LINK https://books2read.com/JQRose; Blog http://www.jqrose.com/
Interview With Laekan Kemp
Hi Laekan! Thanks so much for joining us!
1. Tell
us about yourself and how you became a writer.
I’ve wanted to be a writer, probably since middle school.
Though I didn’t really know how one might go about pursuing a career like that.
I read all of the time but knew nothing about how books were made or even all
of the other people involved in the process.
And even when I went to college and decided to major in
Creative Writing, I don’t remember being given any information about publishing
as a business or even how to get an agent. It was all focused on workshop and
the only opportunities for publication that were really discussed were
submitting to literary journals and anthologies and things like that.
Commercial fiction had zero presence. It was like it
didn’t exist. So it took another, almost ten years after that, for me to learn
on my own about the publishing industry and genre fiction and Kid lit
specifically. But once I’d found the Kidlit community I was like, okay these
are my people, and I knew that was where my work belonged.
2. Funny
how you had to learn about publishing on your own. Where did you get the idea
for Somewhere Between Bitter and Sweet?
Honestly, there are so many pieces of me in this story.
Pen's mental health struggles mirror the mental health journey I've been on
since my late teens & the conflict with her parents comes from those same
late teen / early college years when my father was sick, my mother & I
weren't getting along & it felt like my entire world was falling apart.
The setting of the restaurant has more joyful origins
& was inspired by my partner's hilarious stories of working in a restaurant
in our hometown. I loved all of their quirky traditions & inside jokes
& wanted to use that environment to explore this idea of found families
& belonging. And there are actually some scenes in the book that happened
in real life and some secondary characters too that are based on real people.
When it comes to Xander’s character, he was actually
inspired by my former students. I was an ESL teacher and most of my students
were immigrants from central and south America. And so I’ve gotten to see up
close what it’s like for them and their families to navigate our ridiculous
immigration system. And yet through it all they are so resilient and so
hopeful. I wanted to capture that in Xander’s character.
3. That’s
cool that you were able to draw on your own experiences so much. I read on your
website that your mission in your writing is to make people love
Mexican-American food. And readers can even download Pen’s recipe cards on your
website. I love that! Why is the emphasis on food so important in your writing?
When the male protagonist, Xander, is walking up to the
restaurant for his first day of work, he’s kind of going through the mythology
of Nacho’s Tacos and talking about the reputation that it has within the
community and how there are certain dishes on the menu that can help with
certain ailments, whether that’s physical or emotional or spiritual.
So the food in the book carries a lot of meaning. First
and foremost, I see it as a symbol for our cultural roots through which we
derive so much strength. And especially for those of us who are Chicane and
exist on the peripheries of our own culture, not born in our ancestral home,
food is one of the ways that we stay connected to that power source.
But it’s also meant to show the ways in which we all have
gifts to share with others. You can feed the people you love through all sorts
of things. Your time. Your encouragement. Your creativity. I’d love for readers
to see how Pen uses her skills in the kitchen to care for her community and to
be inspired to use their own gifts the same way.
4. I also read that you like to write about
identity, Mexican-American culture, and characters who are straddling two
worlds. Share how this weaved this into the struggles that Pen and Xander face
in your story.
So not only did I grow up in a mixed-race household but
I’m also fourth generation so my personal experience is very different from
someone who is first generation or recently immigrated, and I would say that
when it comes to traditional Mexican family values and expectations, there’s a
spectrum depending on where you fall within the diaspora, how long your family has
been in the U.S., whether or not your family had a difficult time
assimilating--I mean all sorts of things can play into that expectations a
parent has for their child.
I think Pen’s experience with her parents is more similar
to the experience my mom and her siblings had with my grandparents than the
experience I had at Pen’s age. But that makes sense to me because for my mom
and her siblings there was more at stake. My grandparents were not wealthy.
They had a lot, but by societal standards, also had very little. And ever since
my great-great grandparents arrived in Texas it has been the responsibility of
every generation to make sure life would be better for the generation that
would come after.
So that was the focus and sometimes it can be a very narrow
one. But when the stakes are your family’s ability to not just live, but
thrive, it means that distractions are dangerous. But that’s also a very
stressful and difficult way to live because people from marginalized
communities are not supposed to thrive.
So if that’s your goal you’re going to come up against
absolutely everything that systemic oppression has to throw at you. And Pen’s
parents know this fight well. They know the generations of sacrifices that have
led to Pen having the privilege to be able to go to school. All of the
sacrifices that have been made to mitigate risk. To give Pen a sense of
security that her ancestors may not have had.
And here Pen is, wanting to make her own choices; to take
her own risks. And her parents are absolutely terrified.
On the other hand, we have Xander, who is also fighting
against expectations, though his are more societal. That risk-mitigating Pen’s
ancestors have been practicing for generations, we’re watching Xander practice
it in real time. He knows he has to move through the world a certain way
because of his status, because of his accent, because of his skin color. And we
see how exhausting and scary that is for him.
He knows that there are so many people out there who would
discard him without a second thought and this toxic belief about himself, which
is fed by the racism he encounters on a regular basis, in turn feeds his own
fears about being rejected by his father who he is desperate to find.
And so all of these expectations that are imposed on these
two characters and that are truly in opposition to their true selves, only help
to perpetuate this cycle of oppression. And it isn’t until that oppressive
force in the story, the antagonist, is temporarily removed, that Pen, Xander,
and their families can put down their armor. Even if it’s just for a moment
before they have to put it back it on. And before they have to go back to
navigating a world that wasn’t made for them and would maybe prefer they not
exist at all.
5. What are some of your tips on writing a
contemporary story and making it a page turner like it sounds like you did in
Somewhere Between Bitter and Sweet?
I have always been drawn to writing dual-POV, especially
in romance. I just think it’s so much fun to be inside both character’s heads
as they’re falling in love. And I actually think it’s my secret weapon when it
comes to getting the pacing just right. If things are slowing down plot-wise
with one character, I can just jump to the next and keep things moving.
I’m never getting bogged down in a single narrative and
that switching back and forth helps to keep things fresh. I think that
translates to the reading experience too so that at the end of each chapter you
can’t wait to return to that POV or to see how the events of the next section
will be influenced by what came before.
6. I
never thought how dual POV characters could keep the pacing tight, but you’re
right. One focus of your story is the romance between Pen and Xander. Did the
growth of their relationship come easy or hard to you? Why? What advice do you
have on writing kissing scenes that some writers (like me) find hard to write?
If kissing scenes don’t come naturally to you, you
shouldn’t feel like you have to include them. There are lots of different ways
to build intimacy beyond just physical touch and I think it’s important to
write from a POV you feel comfortable exploring and I try to keep this in mind
when crafting every aspect of my romantic relationships--that I’m first and
foremost being true to myself and the kinds of romances I like to read about.
Because of this, I feel like I also take a unique approach
in that my couples don’t typically follow that formula of falling in love,
breaking up, and then getting back together. First, I just think that’s so
stressful, and second, it goes back to my own experience of finding comfort and
solace in my own relationship and wanting to show that on the page.
I want my protagonists to have their own individual story
threads and their own emotional journeys to go on and for the romantic
relationship to be a source of comfort and strength that aids them on that
journey. And that’s how I make room for the exploration of all of these other
things. Because instead of the relationship being a source of conflict in the
story, it’s a positive force. It’s a means of self-discovery, and for Pen and
Xander specifically, a way to see themselves in a different light.
Xander shows Pen that she doesn’t need her father’s
restaurant to feed and heal her community or to feed and heal herself. And Pen
shows Xander that families are something you make just as much as they’re
something you’re born into and that those bonds are just as worth fighting for.
And they’re able to illuminate these things for each other
because they are different and they don’t see the world through the same lens.
And to me, that’s the power of romance, and the power of authentic
relationships in general. The best ones will always help us learn and grow and
get closer to the person we’re supposed to be.
7. Your
agent is Andrea Morrison. How did she become your agent and what was your road
to publication like?
I wrote my first book when I was seventeen during my
senior year of high school. Something had happened recently in my personal life
and in hindsight writing that first book was just my way of processing that
experience emotionally.
During undergrad I actually finished that novel and with
the help of one of my professors I queried it and I got a mix of form rejections
and personalized rejections, which was really encouraging. I also entered a
short story contest at the same time and I ended up winning. I think the prize
was just like $100 or something but you also had the opportunity to pitch
something else like a novel. So I sent off the book and they sent back an offer
but when I showed it to my professor he was like, “uh, no.” They were a small
press and so they weren’t offering me an advance and my professor was like, no.
If they can’t even offer you something in the five-figures for a full-length
novel then they’re basically operating as a vanity press and those kinds of
places tend to be very predatory so it’s best to just steer clear of them.
So I did. I stayed far, far away from them and moved on to
another project.
After that, I graduated and my partner and I moved to
Florida so he could finish school. While we were there many of my coworkers at
this Data Analysis company I was working for were also artists. Some were
writers. Some were graphic designers. Some were in bands. And none of them were
going the traditional route for whatever it was they were making. It was all DIY
and that is kind of how I got turned on to self-publishing.
I was learning more about the industry, particularly
Kidlit, and I realized that me writing Latinx protagonists could have played a
role in the rejections I had been receiving. Mind you, this was 2012, so it was
a different time. It was before #WeNeedDiverseBooks and before DVPit and before
this push for more diverse characters.
So I made the decision to self-publish that first novel
and over the next four years I ended up self-publishing a total of seven books,
including a paranormal romance series which actually gained me an audience,
which was so unexpected and so exciting. By 2015 I was making more money from
self-publishing than my two jobs (a full-time job and a part-time job)
combined.
And you’d think that I would take that as a sign and maybe
quit those jobs and start writing full time but I did not do that. Instead of
going after this dream of being an author full force I went back to school to
get a Master’s degree in Education and become a teacher.
I loved my students but I hated everything else. It’s a
very difficult career that conditions you to take abuse day in and day out and
after about three years of that I was an absolute wreck. My stress began to
manifest physically and it was just awful.
So in December of 2018 I wrote this very emotional blog
post about how I was going to finally chase after my dream of being a published
author in earnest and I was so serious about it I even gave myself a timeline.
I made this online declaration that I was giving myself 18 months to make the
transition to writing full time. I didn’t have a book deal yet. I didn’t even
have an agent. But I was so done with my current circumstances that I just went
all in.
And I’ve blogged more specifically about the things I did
during this time to get me closer to my goal so I won’t get into all of those
details. But there were a few significant choices I made that I think made all
the difference.
First, I paid for a 100-page manuscript critique with Eric
Smith and I used his feedback to cut over 20,000 words and completely overhaul
the story. Then I participated in DVPit that spring--this was now 2019--and I
got my agent, Andrea Morrison, in May and my book deal in June.
But the absolute best part of this story is what happened
this past summer, which is that I quit my teaching job due to the pandemic, and
without even realizing it I met that 18-month deadline that I had set for
myself back in December of 2018. So affirmations definitely work. Visualization
works. All of it works.
8. That’s
great that you met your deadline without even realizing you were doing it. You’ve
already been a speaker at some book festivals and at ALA Midwinter and have
other upcoming events listed on your website. How were you able to get these
opportunities to share about your book?
A lot of these opportunities came about because my
publisher and publicist chose to prioritize them and pitch me for these events.
So I’m really lucky that they are trying to get me in front of as many people
as possible to talk about my book because not every publisher who acquires a
book makes that kind of effort in terms of marketing and publicity. But I’ve
also come to realize that some opportunities can arise simply because you’ve
been kind to the right people. People remember kindness so whenever you have a
chance to meet someone new or be introduced to someone else in the industry,
just remember to be kind. It really does go a long way.
9. How
are you planning to market your book? What advice do you have for other writers
who will have a debut book release in the future?
A few special things that I did on my own, without the
publisher’s help, were sending personalized postcards to Latinx librarians and
independent bookstores in cities with a large Latinx population. I also sent
release day treats to certain indie bookstores using a website called
goldbelly. And I also created two giveaway opportunities tied to my launch
event--one for a curated gift basket full of goodies to pair with the reading
of the book and a class set of the books for a local teacher.
Time will tell if these things actually made an impact but
they were (mostly) a lot of fun and I think that’s really important to consider
when planning your own promo. Don’t give yourself a bunch of homework you’ll
dread doing, especially when you could be using that time to write. So make
sure you choose things you actually enjoy doing so that you can consider it a
success whether or not it actually leads to sales.
10. What
are you working on now?
My sophomore novel is another Young Adult Contemporary
Romance, also told on dual-POV. This time it focuses on two musicians who have
terrible stage fright, which keeps ruining their plans of auditioning for the
music school of their dreams.
They’ve also both experienced the death of a parent, which
feeds into the fears they have about failure and rejection. So it’s a story
about grief and about the healing power of art, especially music.
And it actually takes place in the same neighborhood as
SBB&S so in addition to watching these two characters go through this
painful but also hopeful journey of self-discovery and self-acceptance, we also
get to see how the neighborhood as a whole is continuing to deal with
gentrification and police brutality and other very BIPOC-specific experiences
of trauma.
But even though it explores some dark topics, just like
with SBB&S, this story is infused with a lot of hope, which is something I
really try to emphasize. I never want to dump a bunch of really heavy stuff on
readers, particularly young readers, with no light at the end of the tunnel.
So there’s a big climactic scene near the end of the book
that feels very reminiscent of the block party scene in SBB&S, though it’s
not quite a party. But, there are lots of similarities between the two books. I
consider them more companion novels. So if people enjoyed SBB&S I
definitely think they’ll enjoy my next book too.
Thanks for sharing all your advice, Laekan! You can find
Laekan at:
Website
Twitter
Instagram
Goodreads
Giveaway Details
Laekan has generously
offered a hardback of Somewhere Between Bitter and Sweet for a giveaway. To
enter, all you need to do is be a follower of my blog (via the follower
gadget, email, or bloglovin’ on the right sidebar) and leave a comment by
May 1st. If your e-mail is not on your Google Profile,
you must leave it in the comments to enter the contest. Please be sure I have
your email address.
If you mention this
contest on Twitter, Facebook, or your blog and/or follow me on Twitter, mention
this in the comments and I'll give you an extra entry for each. You must be 13
years old or older to enter. The giveaway is U.S.
Upcoming Interviews
and Giveaways
Monday, April 26th I’m
reviewing and giving away Rescue, a MG historical by Jennifer Nielsen, one of
my favorite authors
Tuesday, May 4th I’m
participating in the Life’s a Beach Giveaway Hop
Wednesday, May 5th I
have an interview with debut author Daniel Aleman and a giveaway of his YA
contemporary about immigration Indivisible and a query critique by his agent
Peter Knapp and my IWSG post
Monday, May 10th I have a guest post by author Jessica Lawson with
a giveaway of her MG fantasy How to Save a Queendom and a query critique by her
agent Tina Dubois
Wednesday, May 12th I have an agent spotlight interview with Joyce
Sweeney and a query critique giveaway
Sunday, May 16th I’m participating in the Moms Rock Giveaway Hop
Monday, May 17th I have an interview with debut author Payal Doshi and a giveaway of her MG fantasy set in India Rea and the
Blood of the Nectar
Wednesday, May 18th I have an agent spotlight
interview with Michelle Hauck and a query critique giveaway
Monday, May 26th I have a guest post with agent Maura Kye-Casella
and debut author Sam Subity with a query critique giveaway by Maura and a
giveaway of The Last Shadow Warrior, a MG fantasy by Sam
Hope to see you on Monday!
