Happy
Monday Everyone! Today I’m excited to have Refe Tuma here to share about his MG
contemporary fantasy, Frances and the Werewolves of the
Black Forest. He and his agent did a guest
post when his debut book, Frances and the Monster
released. I really enjoy contemporary fantasies and am excited to read his new
book.
Here’s a
blurb from Goodreads:
"A joy to read!" --New York Times bestselling
author Margaret Peterson Haddix
Child genius and budding inventor Frances is in
trouble. Her dreams of scientific glory were dashed when her first big
experiment nearly destroyed her whole town. So when a prestigious society
invites her to their symposium, Frances sees it as a chance to redeem herself.
On the way there, her train is hijacked, and she
and her friend Luca flee into the Black Forest. Seeking shelter with a group of
orphans, Frances learns the rules of the woods: Never travel alone. Never make
a sound. Because something hunts in the shadows, something with glowing eyes
and sharp teeth.
Frances is no stranger to monsters, but she
quickly learns there are forces more terrifying than she ever imagined...and
that the key to defeating them might lie in her own scientific discoveries.
With Luca and the orphans at her side, Frances must again face the horrifying,
this time determined to stop evil and make a name for herself, once and for
all.
Filled with friendship, humor, daring deeds, and
a spunky main character who will definitely steal your heart, this historical
fantasy is perfect for fans of Serafina and the Black Cloak and Greenglass
House.
Hi Refe!
Thanks so much for joining us.
1. Tell us
about yourself and how you became a writer.
Hi Natalie!
Thank you for having me back on your blog.
I taught
myself to read when I was very young and started writing shortly after. My dad
was an illustrator and I liked to tag along to the art supplies store to stock
up on these big sketchbooks with black, faux-leather covers. The plan was
always to fill every page with words and drawings so that, at the end, I’d have
a complete book. I think the furthest I ever got was around twelve or thirteen
pages, which included a title page, dedication, and a (highly aspirational)
table of contents.
In middle school and high school, my focus shifted to music. I wrote songs and
played in local bands and spent a lot of time I should have been in
class tinkering with the music notation software in the band room. After that,
I studied filmmaking and wrote a few short screenplays I never got around to
shooting.
Through it
all, I never stopped telling stories. It took different forms—music, movies,
picture books, novels—but I was always writing.
2. Where
did you get the idea for this series?
Mary
Shelley’s groundbreaking Frankenstein and the classic monster movies it
spawned were of course a major inspiration for Frances and the Monster.
Eagle-eyed Frankenstein fans will find all sorts of easter eggs from Shelley’s
life and works in both Frances and the Monster and Frances and the
Werewolves of the Black Forest, with even more obscure references to things
like Frankenstein VS the Wolfman in the latter.
But the
first seeds of the Frances series were actually planted by the
‘Magician’s Apprentice’ sequence of Disney’s Fantasia. The idea of the
apprentice being so impatient to skip ahead get to the good
stuff—mastery—really resonated with me. That was me as a kid. Always impatient
to jump straight to adulthood, and cocky enough to think I was ready. So,
Frances ended up with a healthy dose of both qualities. And like the magician’s
apprentice, when she gives into those impulses, she creates a monster.
About
Your Writing Process
3. What was
your plotting process for Frances and the Werewolves of the Black Forest? Has
it changed at all since you wrote your first book? If so, how?
Frances and
the Monster was such an evolution. The plot emerged as I
wrote, and the themes, structure, and voice took shape in revision. The process
took years, and I was learning as I went along.
Writing Frances
and the Werewolves of the Black Forest was a very different experience. I
was working under deadline, for one thing. I couldn’t spend as much time
exploring and experimenting without a clear path to completion. Thankfully, I
had a strong sense of the story I wanted to tell with Frances’s second
adventure, and the emotional journey I wanted to take her on. The major beats
and turning points were there before I had even completed book one.
The biggest
challenge was the book’s opening chapters. I considered a number of scenarios
and different ways to kick off the events of the story before settling on what
I feel is the perfect balance of fun and quirky and intimate. I love the way
the reader is reintroduced to Frances and her life after the shocking events at
the end of book one, and how that reintroduction frames the larger adventure.
Maybe
someday I’ll clean up the Hobbes-gets-kidnapped version of the opening and put
it up on my blog…
4. You
already had a publishing contract and deadlines to meet when you wrote your
second book. How did you draft your manuscript and revise it on a schedule?
What are your tips for other writers like me who are afraid that they write too
slowly to finish a manuscript on a publisher’s schedule?
Writing a
first novel is like climbing a mountain where you can’t see the top. It can
feel so impossible, the path so often undefined—right up to the moment you type
‘The End.’ Then you’re there, at the summit, and the clouds have cleared and
the path you climbed doesn’t seem quite so long anymore.
That view
from ‘The End’ was an incredible benefit when I started book two. I had done it
once, so I knew I could do it again. More than that, I knew so much more about
myself as a writer. I knew what I did and did not need to achieve in my first
draft, and my second. I could trust myself a little more and trust the process.
And never
underestimate the value of a good editor! Yes, you have a deadline, but that
means you also have a partner whose skill and talent and dedication to your
manuscript is there to keep you moving forward and pry you loose when you get
stuck. It’s a huge advantage most writers don’t have until much later in the
process while crafting their debut.
5. It’s
reassuring to know that it’s possible to write on contract, one of my greatest
fears. What was a challenge you faced in writing your second book? How did you
overcome it?
Frances and
the Werewolves of the Black Forest expands
the world I built for Frances and the Monster in a few significant ways.
One of those ways is the addition of a much larger ensemble of characters. I
kept the cast of Frances and the Monster tight because even the handful
of people Frances meets along her journey represent a massive shift in her
life, which is so isolated until her search for the monster begins. Writing for
so many characters in the sequel added a new layer of complexity—ensuring each
new character had a voice that was engaging and distinct, and that every member
of the cast was both interesting and irreplaceable. I love writing dialogue, so
having so many voices and personalities to play with was a dream come true. The
biggest challenge was determining what to cut!
The new
characters also gave me the opportunity to write in more of one thing that is
very important to me: sign language. Several members of my extended family are
hard of hearing or deaf, and I had an appreciation for signing instilled in me
from a young age. I remember visiting my grandparents and sitting up with my
grandfather, learning signs well past my bedtime. I worked with authenticity
readers to help make sure that my depiction of the sign languages in the book
and of a deaf character were as accurate as possible. I learned a ton, and I
sincerely hope reading Frances and the Werewolves of the Black Forest will
be a great experience for kids who sign.
Your
Road to Publication
6. That’s
great that you were able to write more in sign language. You had to find a new
agent after your debut book was released. How did you find your new agent? Do
you think it was easier to find a new agent as a published author?
I had a good
relationship with my previous agent, so when she had to step away, there was
obviously a period of uncertainty. I was also in the middle of revisions for Frances
and the Werewolves of the Black Forest, which added to the unknowns.
Thankfully,
that uncertainty didn’t last long. My agency, The Jennifer De Chiara Literary
Agency, was committed to keeping me on and quickly connected me with Senior
Agent Marie Lamba. We spoke a few times on the phone to make sure we’d be a
good match, and I reached out to a few of her clients to get their perspectives
on working with her. Their glowing feedback made it an obvious choice. Marie
has already proven to be a great partner and advocate.
When it
comes to your question about previous publishing credits, I think they function
in much the same way for agents as an agent’s client list does for authors. We
look at an agents list to help us figure out if their tastes and networks will
be a good fit for our work. So, it makes sense that agents would look at our
body of work to determine if we’ll be a good fit for them. In the end, though,
the manuscript reigns supreme. My agent might have liked my What the
Dinosaurs Did picture books, but I don’t think that would have made much
difference if they didn’t think they could sell and continue to advocate for Frances
and the Monster and Frances and the Werewolves of the Black Forest.
7. Share
what it was like to work with a new agent when you already were working on a
manuscript that you were under contract to write? What tips do you have for
other authors who find themselves looking for a new agent in a similar
situation?
I’m not
going to lie—it was a little nerve-wracking! Even remaining in-house at the
same agency and connecting with such a talented agent so quickly, taking on a
new partner in the middle of a deadline has its risks. Every interaction
between you and your new agent, and your new agent and your editor, is a first.
Can I rely on this person? Will everyone get along?
My advice
to authors in similar situations is to focus on the work. Agents are important
and a great author-agent partnership are invaluable. But, in the end, it’s the
work that matters. Put your energy into your characters and your story. Hit your
deadlines. Meet your contractual obligations. Even the best agents in the world
can’t do that for you. Then, when the work is in a good place, focus on
representation.
Marketing
8. How are
you planning to market Frances and the Werewolves of the Black Forest? Is it
different from how you promoted your first book? If so, why did you make the
change?
School and
library visits will be my primary focus when Frances and the Werewolves of
the Black Forest hits shelves this summer. My top priority is getting my
books into the hands of the kids who will enjoy them most, and there’s no
better way to do that than visiting them where they are. I’ve already started
building my visits and events schedule for next year, focusing on the
Chicagoland area, then moving out from there. I try to do as many as I can
in-person, but virtual visits have been a lot of fun, too. I’ll also be
speaking at the NCTE Conference in Ohio this November, so I’m hoping to book a
few visits in the area for while I’m there.
9. I’m
envious. It sounds like your marketing is all under control. Share some tips on
marketing a debut book that you learned from being a debut author.
The best
advice I can give to an author preparing for their debut is to take the long
view. Launch day is important because you can sometimes make a bigger splash,
but it’s ultimately just a single day. Many books—especially for the middle
grade category—take time to find readers and build awareness. Give yourself
some time and space to figure out what about your book or your message is
resonating with people and find ways to look for them there.
10. What
are you working on now?
I’ve got a
few projects up my sleeve. I’m hoping for the opportunity to finish the Frances
trilogy with the third and final book, so I’ve been focused on that along with
another middle grade story that has been percolating a while. I’ve also been
exploring few different picture book concepts with my wife and frequent
co-author Susan Tuma that I’m very excited about. But really, this summer is
all about Frances and the Werewolves of the Black Forest!
Thanks for
sharing all your advice, Refe. You can find more information about Refe and his
books at www.refetuma.com, on Twitter at www.twitter.com/refeup, and on Instagram at www.instagram.com/refetuma. Frances and the
Monster is now available in
hardcover, ebook, and audiobook, and Frances
and the Werewolves of the Black Forest hits shelves August 22.
Giveaway
Details
Refe is generously offering a hardback of Frances and
the Monster, stickers, and
bookmarks for a giveaway. To
enter, all you need to do is be a follower of my blog (via the follower
gadget, email, or bloglovin’ on the right sidebar) and leave a comment by July
22nd. If your email is not on your Google Profile, you must leave it in the
comments to enter the contest. Please be sure I have your email address.
If you mention this contest on Twitter, Facebook, or
your blog and/or follow me on Twitter or Refe on his social media sites, mention
this in the comments and I'll give you an extra entry for each. You must be 13
years old or older to enter. This book giveaway is U.S.
Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog.
Upcoming Interviews, Guest Posts, and Blog Hops
FYI, I do not have as much planned this summer. I’m
taking a little break to enjoy my daughter’s wedding celebrations and to help
get ready for the wedding.
Saturday, July 15 I’m
participating in the Sip Sip Hooray Giveaway Hop
Monday, July 25 I
have an agent spotlight interview with Danielle Hunter and a query critique
giveaway
Tuesday, August 1 I’m
participating in the Apple a Day Giveaway Hop
Wednesday, August 2 I
have an interview with debut author Vanessa Montalban and a giveaway of her YA
contemporary fantasy A Tall Dark Promise
Monday, August 7 I
have an agent spotlight interview with Jane Chun and a query critique giveaway
Wednesday, August 16
I’m participating in the Old School Giveaway Hop
Hope to see you on
Saturday!
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