Upcoming Agent Spotlight Interviews & Guest Posts

  • Jim Averbeck Agent Spotlight Interview on 2/17/2025
  • Reiko Davis Agent Spotlight Interview and Query Critique Giveaway on 2/24/2025
  • Shari Maurer Agent Spotlight Interview and Query Critique Giveaway on 3/17/2025
  • Amy Thrall Flynn Agent Spotlight Interview and Query Critique Giveaway on 3/24/2025
  • Sally Kim Agent Spotlight Interview and Query Critique Giveaway on 3/26/2025

Agent Spotlight & Agent Spotlight Updates

  • Agent Spotlights & Interviews were all edited in 2021. Every year since then, I update some of them. I also regularly add information regarding changes in their agency as I find it. I have been updated through the letter "N" as of 1/26/2024 and many have been reviewed by the agents. Look for more information as I find the time to update more agent spotlights.

Debut Author Interview: Nicole M. Hewitt and The Song of Orphan’s Garden Giveaway

Happy Monday Everyone! Today I’m thrilled to have debut author Nicole M. Hewitt here to celebrate the release of her novel verse, The Song of Orphan’s Garden. I’ve known Nicole for a long time because I follow her blog, Feed Your Fiction Addiction, where she features MG and YA book reviews. I recommend you follow her blog.  It’s been fun watching Nicole on her journey to publication. I’m excited to read her book because it sounds like it has fantastic world-building and high stakes. 


Here's a blurb from Goodreads:

Combining the gentleness of Miyazaki, the wintry wonderland of The Lion, the Witch, and the Wardrobe, and the whimsicality of Newbery winner The Girl Who Drank the Moon, Nicole M. Hewitt's debut middle-grade novel, The Song of Orphan's Garden, is an enchanting fantasy tale with all the makings of a new classic.

In an arctic world that's getting colder every day, Lyriana's only hope of survival is to get her little brother Zave and herself to the fabled Orphan's Garden. It’s rumored to be the one place in the world not controlled by deadly Winter Spirits or ruled by the tyrant Giant king. In Orphan’s Garden, healing trees will melt away Winter’s pains, and Lyriana and Zave can live safely in the warmth of Spring. If the garden exists, they must find it. They won’t live much longer without it.

Brob, a Giant boy, also needs sanctuary. When the Giant king banishes his family to the Winter Blight, it’s a death sentence. Orphan’s Garden is his family’s only hope, and as far as Brob’s concerned, it belongs to him. After all, he was the one who accidentally used an ancient magic to grow the garden years ago. He has no intention of sharing his haven with pesky humans, who will just use up its magic and ruin it.

When it becomes clear that Orphan’s Garden is in danger of being destroyed, Lyriana and Brob are the only ones who can save it—but only if they can put the ages-old battle between Humans and Giants aside and find a way to work together.

Follower News

Before I get to Nicole’s interview, I have Follower News to share. Jacqui Murray recently released


Endangered Species,  book 1 in a new series. Here’s a blurb: Savage Land is the third prehistoric man trilogy in the series, Man. Vs. Nature. Written in the spirit of Jean Auel, Savage Land explores how two bands of humans survived one of the worst natural disasters in Earth's history, when volcanic eruptions darkened the sky, massive tsunamis crossed the ocean in crushing waves, and raging fires burned the land. Each tribe starring in the story considered themselves apex predators. Here are a few links:
Buy link: http://a-fwd.com/asin=B0DJ9Y7PQ8
Website: https://jacquimurray.net


Interview With Nicole M. Hewitt


Hi Nicole! Thanks so much for joining us.

Thanks for having me! I’ve been reading these interviews on your blog for years, and I’m excited to be included here now as an author!

1. Tell us about yourself and how you became a writer.

I first wanted to be a writer after I won the Young Authors competition at my school in third grade. After college, I tried to write a fantasy novel. I started but kept getting stuck in the “messy middle.” I didn’t understand how to structure a novel. It wasn’t until years later, when I started blogging and going to bookish conferences and generally firmly entrenching myself in bookishness that I decided to learn more about writing and try again!

2. It’s cool that you got more into writing through your blogging. Where did you get the idea for The Song of Orphan’s Garden?

When I was a child, I listened to a recording of “The Selfish Giant” by Oscar Wilde over and over again. The themes of this story and the image of a little boy crying in his one corner of winter while the rest of the garden is bathed in spring stuck in my head for a lifetime. Those themes and images eventually blossomed into this book. (I actually wrote a whole post on this, with more detail over on the Middle Grade Escapades blog. You might want to check that out!)

Your Writing Process

3. What made you decide to write this story as a novel in verse instead of in prose?


This is a tough question for me because the real answer is, it just always lived in my head as poetry. From the first moment I thought of this concept, it was writing itself in my head in verse. I tend to write introspective stories, so they lend themselves to verse anyway, and then I reinforced that with the musical themes of the book, which also work well in poetic forms. One unique aspect of this book is that it contains some formal poems in addition to the free verse. I have always loved formal poems, and I think they add an extra layer of beauty and depth to the story.

4. How did you plot out The Song of Orphan’s Garden? Is the process any different because you’re telling the story as a novel in verse?

I did a rough outline of the story in bullet points at the beginning. I actually just went back and reread it, and it is very rough indeed! (It involves lots of questions and brainstorming still on the page.) But that outlining process wasn’t really any different than it would have been for a prose novel. I then worked on character development by doing the exercises in the book Story Genius by Lisa Cron (an excellent resource that I would recommend to all writers out there!). Finally, as I wrote the book, some of that plotting and worldbuilding changed. One major change I made came after submitting the first ten pages to an editor, Melissa Manlove, for a critique—she pointed out some things that made me restructure parts of the narrative and made the book much better!

5. It’s interesting to hear that your plotting process was similar to writing a book in prose. Discuss your world-building process. Was it easier or harder to show your readers the world you created through your verses?

I do think it’s a lot harder to write a fantasy in verse (which is why not many people do it!). With verse, you necessarily have to leave a lot up to the reader’s imagination. It’s really about providing the basics of the magic system and vivid images that will help readers fill in those gaps. Of course, I mapped out the entire world-building in my notes, but the reader doesn’t necessarily see all of it on page. Magic is incredibly important in my book’s world, but it’s used sparingly because the costs are high. So I had to make sure the times it is used are impactful for the reader. Hopefully I did that!

Your Journey to Publication

6. Deborah Warren is your agent. How did she become your agent and what was your road to getting a publishing contract like?


I actually met Deb at an SCBWI conference. She did a session on pitches and described what she likes to see in a pitch very directly. (It happened to be different than a lot of other agents like—Deb likes you to tell her the why in your pitch. Why is this the book of your heart, the book only you could write? Most agents don’t want that sort of background.) Because of the conference, I was able to query Deb when she was normally closed to submissions, and I was able to structure my pitch specifically to her tastes. It worked! Knowing as much as you can about the agents you’re querying makes a big difference!

I’d love to say everything was rainbows and unicorns from there on out, but my first book on sub actually didn’t sell. Looking back at it now, I’m thankful because I think TSoOG is a much stronger debut, but it was definitely tough to swallow at the time. The only thing you can do is keep writing and try again. On a positive note, TSoOG was only on sub for a month before it sold, so you never know what will happen!

7. A lot of authors don’t sell the first book they got an agent with, so you’re not alone in your experience. What has it been like working with your editor? What advice do you have for writers working with an editor for the first time?


Emily Settle is incredible. She has such a passion and belief in my book, and I really needed that. The publishing process is HARD—even once you’ve sold a book, imposter syndrome looms, and Emily’s fast belief in the quality of my writing and the importance of this story was key to me holding it together.

One thing I’ve learned is that the editing process itself varies wildly from person to person. There is no “one way” things are done. My editing was relatively light, which actually threw me at first, but the small changes had a big impact, giving Lyriana more agency in the story. As a side note, I also added one new scene that was recommended by my sensitivity reader (she didn’t recommend a specific scene, but she wanted a deeper understanding of why Lyriana felt the way she did). Again, this added scene helped my characters feel more real and balanced.

So, I guess my advice to authors working with an editor is just to be prepared to expect the unexpected. You can talk to ten different authors who will all have had wildly different experiences with the editing process.

Promoting Your Book

8. How are you planning to promote your book?


Oh, this is a good question, and I wish I had an equally good answer. The truth is, marketing middle grade is difficult. Your readers are kids, so you’re really promoting to educators and gatekeepers. Right now, I’m focusing on booking school visits to reach as many kids as I can. I also sent my ARC out to a few ARC sharing groups. If I’m being honest, I’ve been a little disappointed with the lack of early reviews (which translates essentially to a lack of buzz), but this isn’t something I have control over, and I can only focus on the things I can control!

One big thing I’m doing is a pre-order campaign. It’s open until tomorrow—one week after publication—so there’s still time to get in on it! (And, actually, if you happen to read this too late, still fill out the form because if I have goodies available, I’ll honor your entry after the due date, since I’m talking about it now.) The campaign includes a sticker, a bookmark, a signed bookplate, and a double-sided art print of the maps from the book. (These are particularly special to me because my daughter drew the maps!!) You can find details on my website.

Oh, and I created a fun trailer with music that was written by a friend of mine (which she based off the little tune I created for the bookplate). You can see that on my Instagram or my (barely used) TikTok.

9. You’re also a member of Middle Grade Escapades, a group of debut middle grade authors. How did you join this group? How has it helped you navigate your debut year and promote your book?

Sara Shacter, a fellow SCBWI-IL member, contacted me with a proposal to start a debut group when she saw I was also debuting with a middle grade novel in 2025. I belonged to a general 2025 debut group on Discord, but Sara and I agreed creating a small, focused MG debut group would be really helpful, so I basically went onto the larger Discord and asked if anyone was interested. Not surprisingly, almost everyone was. (We actually had to make the decision to cap our membership at 16, just to ensure things didn’t get unwieldy.)

The group is a fantastic resource, both for information and comradery during this lead-up to our debuts and as a marketing tool, because we have 16 other people cheering us on at all times!!

I would love it if everyone would check out the Middle Grade Escapades website, where you’ll find 15 other debut MG books I just know you’re going to love!!

10. Being in a more focused group sounds like a great idea. You’re also a bookseller at Barnes & Noble. Has this helped you get your book in their stores? Do you have any advice for the rest of us on getting our books on their shelves?

Oh, if only I had a magical formula! I actually found out recently that being a bookseller has helped me get my book on the shelves at B&N. Apparently, it’s getting sent out to about 175 stores, which is good considering not all MG titles make it onto their shelves at all these days (as most of you know). And a little birdie told me there’s a note on the order that says I’m a B&N bookseller. 😊

As far as advice I can give, I honestly can’t tell you how to get corporate to carry your book. This is really between your publisher and the B&N buyer, and there’s basically nothing you can personally do to make it happen. But you can contact your local BNs and ask them to carry it. Most booksellers won’t hesitate to request a traditionally published book by a local author (they don’t necessarily have control over whether it gets actually ordered, but the person who orders for my store is very receptive to bookseller requests). Unfortunately, if you’re self-published or published by a very small publisher, that complicates things because those books are harder to get in and often not returnable if the store can’t sell them—it’s still worth a shot, but just know the road will be harder for you.

11. Thanks for the honest advice. What are you working on now?

I’m currently editing a book I’d previously written in prose into verse. I think it works much better that way! Hopefully I’ll be going on sub with that book at the beginning of next year. Wish me luck!

Thanks for sharing all your advice, Nicole. You can find Nicole at NicoleMHewitt.com or on Instagram or Bluesky!

Giveaway Details

Nicole and her publisher is generously offering a hardback of The Song of Orphan’s Garden for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by February 8th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or follow Nicole on her social media sites, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S. and Canada.

Upcoming Interviews, Guest Posts, and Blog Hops

Saturday, February 1st I’m participating in the Heart to Heart Giveaway Hop

Monday, February 3rd I have an interview with Rosanne Parry and a giveaway of her MG A Wolf Called Wander

Wednesday, February 5th I have an interview with Shelly Page and a giveaway of her YA Brewed With Love and my IWSG post

Monday, February 12th I have an interview with Elly Swartz and a giveaway of her MG Same Page

Sunday, February 16th I’m participating in the Wish Big Giveaway Hop

Monday, February 17th I have an agent spotlight interview with Jim Averbeck

Monday, February 24th I have an agent spotlight interview with Reiko Davis and a query critique giveaway

I hope to see you on Saturday!


Winter Wishes Giveaway Hop


 
Happy Thursday Everyone! Today I'm excited to participate in the Winter Wishes Giveaway Hop hosted by MamatheFox and Mom Does Reviews. I hope you're all staying warm and safe with all the bitter cold winter weather, wild fires, and other risks we seem to face these days. 
 
It's been bitter cold here in the 20's but thankfully we haven't had much snow. I've been using the time to read more, update my agent spotlights, and crochet amigurumi animals. I just relearned how to crochet and am having so much fun making them because they are cute and can be completed in a short time.

Book of Your Choice or Amazon Gift Card


I am offering a book of your choice that is $20 or less on Amazon. I’m looking forward to seeing what books everyone is looking forward to reading.

If you don’t have a book you want, you can win a $10 Amazon Gift Card.

Giveaway Details

To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by January 31st telling me whether you want a book, and if so, which one, or the Amazon gift card and your email address. Be sure to include your email address.

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. The book giveaway is U.S. only and the Amazon gift card giveaway is International.

Upcoming Interviews, Guest Posts, and Blog Hops


Monday, January 27th I have an interview with debut author Nicole Hewitt and a giveaway of her MG The Song of Orphan’s Garden

Saturday, February 1st I’m participating in the Heart to Heart Giveaway Hop

Monday, February 3rd I have an interview with Rosanne Parry and a giveaway of her MG A Wolf Called Wander

Wednesday, February 5th I have an interview with Shelly Page and a giveaway of her YA Brewed With Love and my IWSG post

Monday, February 12th I have an interview with Elly Swartz and a giveaway of her MG Same Page

Sunday, February 16th I’m participating in the Wish Big Giveaway Hop

I hope to see you on Wednesday! 
 
And here are all the other blogs participating in this blog hop:

MamatheFox, Mom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

Literary Agent Interview: Jon Cobb Interview and Query Critique Giveaway

 Today I’m thrilled to have agent Jon Cobb here. He’s an agent at HG Literary.

Hi Jon! Thanks so much for joining us.

About Jon:


1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

I’ve been at HG Literary for a bit over 8 years now. I started off as an assistant to Josh Getzler, who hired me directly out of a graduate course he was teaching at NYU’s School of Professional Studies. While I started in that position purely as an assistant to Josh, I later transitioned to representing my own list of clients as well.

About the Agency:

2. Share a bit about your agency and what it offers to its authors.

HG Literary is a boutique literary agency, formed by Carrie Hannigan and Josh Getzler in 2011. Our agents have decades of combined experience in the publishing industry and represent a diverse list of best-selling and award-winning clients.

What He’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?


In children’s, I represent MG and YA. My tastes are pretty wide within those categories–contemporary, mystery, thriller, romance, speculative, fantasy–so I don’t want to close myself off to any potentially interesting projects!

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

I’m biracial and part Filipino, and would be interested in reading submissions of any genre from authors of Filipino descent. I’m also a sucker for grounded science fiction, particularly anything involving alternate universes, time loops, or other weird phenomena.

What He Isn’t Looking For:

5. What types of submissions are you not interested in?


I’m mostly interested in fiction, so nonfiction projects would be a better fit for another agent. While I’m a big fantasy fan, I am particularly interested in fantasy with unique and unexpected settings, so projects that feel too archetypal to the genre–wizards in pointy hats; knights in gleaming armor; dragons, castles, feudalism, etc.–tend to not interest me as much.

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?


The author-agent relationship is a collaborative one, and I like to work with clients who are able to contribute equally to that relationship. That means being able to accept criticism and feedback. At the same time, it’s important for authors to make strong choices and not just roll over at the slightest resistance. I like to say that my editorial notes aren’t orders or decrees, but the start of a conversation. Often the best and most successful editorial passes on a manuscript come from me and the author working together, brainstorming, bouncing ideas off each other.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?


Yes! I go through multiple editorial rounds with my clients before a project is ready for submission. We typically start with a developmental edit, often more than one round, where we will look at foundational issues and make big, structural changes to the plot; and then a closer line edit focusing on pacing. clarity, removing redundancies, etc. It’s rarely a quick process, but editors’ standards are incredibly high so it’s always worth it to polish a manuscript as much as possible before submitting it widely.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?


I look for 4 things in the synopsis portion of a query letter: Character, Goal, Obstacle, Action Against Obstacle. Who is your main character? What are they trying to achieve/obtain/prevent? What obstacle stands in their way? And how are they going to act against that obstacle to achieve their goal? It’s a pretty basic rubric that won’t map 1-to-1 onto every story. But if you want to clearly communicate the arc of your story, answering those 4 questions is a good place to start.

Another thing I look for in every query letter is an author bio. It doesn’t have to be very long or detailed, and it doesn’t have to be full of honors or accolades either; I just want to get a feel for the person who wrote the attached manuscript, and a query always feels incomplete to me without it.

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

My colleague Josh Getzler introduced me to the term “the modifier zone.” It describes some authors’ tendency to try to impress agents and editors in their opening pages with lots and lots of adverbs, adjectives and other modifiers (or just generally an excess of flowery, purple prose). It’s a common mistake! Hopefully putting words to it will convince some of the authors reading to avoid the modifier zone.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?


My target is to respond to queries within 60 days of receipt. Once I request a partial manuscript, I can review it fairly quickly, within 1-2 weeks, but expect another 60 day wait for reviewing a full manuscript.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?


Of course! Being published by a smaller press or self-publishing is neither a plus nor a minus for me. I’m willing to consider their work regardless. My advice to such authors is to be honest and thorough about your past publications when querying agents. The info is usually just a Google search away, so save the agent the trouble and direct them to your work.

Clients:

12. Who are some of the authors you represent?


Some of my authors include A.A. Vora, author of Spin of Fate and the upcoming Wheel of Wrath (Putnam); Brian Wasson, author of Seven Minutes in Candyland and the upcoming Two Truths and a Lionel (Quill Tree Books), and Shay Kauwe, author of the upcoming The Killing Spell (Saga).

Interviews and Guest Posts:

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.


https://www.manuscriptwishlist.com/mswl-post/jon-cobb/

https://manuscriptacademy.com/podcast-ambika-vora-jon-cobb
https://kathytemean.wordpress.com/2024/08/23/august-agent-of-the-month-jon-cobb/

Links and Contact Info:

14. Please share how writers should contact you to submit a query and your links on the Web.


Please submit your query letter and the first 5 pages of your novel to me via QueryManager. Use the link below to reach me. Looking forward to hearing from you!

https://QueryTracker.net/query/Cobb

Additional Advice:


15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?

Any author looking for an agent is familiar with the word “no.” We agents say that a lot in our line of work, and we understand that it’s discouraging to hear. My advice is to not let that “no” discourage you to the point of giving up. Obviously, you shouldn’t flatly ignore criticism and feedback, but neither should you view rejection as a permanently blocked path. All you need is a single “yes.”

Thanks for sharing all your advice, Jon.

Giveaway Details

Jon is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through January 27th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that’s okay. Just let me know in the comments.

If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Upcoming Interviews, Guest Posts, and Blog Hops

Thursday, January 16th I’m participating in the Winter Wishes Giveaway Hop

Monday, January 27th I have an interview with debut author Nicole Hewitt and a giveaway of her MG The Song of Orphan’s Garden

Saturday, February 1st I’m participating in the Heart to Heart Giveaway Hop

Monday, February 3rd I have an interview with Rosanne Parry and a giveaway of her MG A Wolf Called Wander

Wednesday, February 5th I have an interview with Shelly Page and a giveaway of her YA Brewed With Love and my IWSG post

Monday, February 12th I have an interview with Elly Swartz and a giveaway of her MG Same Page

Sunday, February 16th I’m participating in the Wish Big Giveaway Hop

I hope to see you tomorrow!





Literary Agent Interview: Estelle Laure Interview and Query Critique Giveaway

 Today I’m thrilled to have agent Estelle Laure here. She’s an agent at Folio Literary Management.

Hi Estelle! Thanks so much for joining us.

About Estelle:


1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.


Thank you for having me! I started as an intern at Folio about thirteen years ago and over time my role has changed and changed again, from intern to associate, to Senior Content Development Editor (which entailed preparing manuscripts for submission), and finally I became an agent this last year, joining forces with Emily van Beek. We work in lock step, searching for new voices and seeking to provide exceptional representation to our existing clients. Therefore, if you are represented by me, you are also represented by her as well as the rest of our team at Folio Jr.

About the Agency:

2. Share a bit about your agency and what it offers to its authors.


Folio Jr., the children’s division of Folio Literary Management, is an established and respected team with a strong support system, a robust foreign, audio, and dramatic rights team, and long-standing relationships within the publishing industry. We are always looking to sharpen our understanding of what editors are hoping for so we can do magical matchmaking for our clients. Publishing is sometimes nearly impossible, and we are experts at strategizing and making the most out of each project, while also providing individually tailored care for all our clients. We aim to do more with less, making sure every single project is exciting and fresh. We strive not only to discover and cultivate the most compelling new voices and the most original and memorable styles of illustration, but also to support our established writers and illustrators as they thrive and develop their careers in the publishing industry.

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?


I represent all three, but in terms of new clients, I’m particularly on the hunt for middle grade and YA. The first and most important thing in terms of story is that I’m able to connect with the characters on an emotional level. That, coupled with an undeniable plot, is where the magic lies. Genre is less important. I could say I’m not the best for sci-fi or high fantasy, but that’s not true when it’s stellar. I am honestly open to anything, as long as it is excellent. My caveat is that middle grade is tough tough tough right now, but I believe it’s also full of treasure and hope to contribute to it bouncing back.

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

I’d love to see anything witty but not at the expense of substance. I’d love a middle grade romcom, too. I want voices that reflect the true experience of being young. I’d also love a mystery series, something funny and unexpected…again and always driven by heart and voice. I am a huge fan of high concept, speculative, anything spooky, thrillers, big romance, coming of age, fractured fairy tales, an excellent graphic novel, and voice-driven contemporary YA (a strong frame and/or guiding concept is a must). I always look for a diverse cast with a variety of gender expressions/identities, and anything that throws an unexpected twist my way. I want deeply rendered characters and nothing that feels stock or two dimensional. I’d love to find another Kendare Blake, Jenny Han, Rachael Lippincott, Katherine Rundell…the dream. Overall, I look for a wicked concept, tight execution, and assured writing. If you have all that, please send it my way!

What She Isn’t Looking For:

5. What types of submissions are you not interested in?


I’m not interested in anything so plot driven that the emotional thread takes a back seat, and no depressive, self-harm, boy saves girl, goofy without cleverness, anything that feels recognizably derivative (unless it’s on purpose), and I’m probably not the best choice for straight-up action.

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?


Because I’m an author as well as an agent, I understand the work that goes into every project. I also understand how much writers have to grapple with and overcome in order to get to a place where they feel ready to approach someone for representation. I not only represent projects, but each individual artist. Once we have made the connection and found that we’re the ideal fit, and once we have done the editorial work, it’s all about creating a gorgeous submission package, thinking of the perfect editorial matches, and then ensuring the very best deal for the client… all thrilling and joyful moments.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?


I am definitely an editorial agent, though it all depends on whether a client has established editorial relationships or not. Supposing they don’t, or that they prefer to work through something before showing it to their editor, the whole team will do as much work for as long as it takes to get any given project into its best possible shape. This usually entails broad notes and line edits as you would expect from an editor.

Our team only goes out with the most polished, compelling stories and it can take some time to get there. When it comes to editorial we are patient, dedicated, and committed.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?


Please send all queries to elaure@foliolit.com along with the first ten pages of your story.

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

I don’t need a long letter. Concise is best!

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?


I will respond within four weeks.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?


I’m absolutely open. If the story is special, I’m here for it, and most agents I’ve spoken with feel the same.

Clients:


12. Who are some of the authors you represent?

My shared list with Emily van Beek includes Maria Scrivan, S.D. Upchurch, Adam Rosenbaum, Kacy Ritter, Bonnie Pipkin, Jon-Erik Lappano, and more.

Interviews and Guest Posts:

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.


N/a

Links and Contact Info:

14. Please share how writers should contact you to submit a query and your links on the Web.


https://www.publishersmarketplace.com/members/elaure/

elaure@foliolit.com

Additional Advice:

15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?


My advice is to write like a demon and stay true to the artist creature inside of you so you’re ready when opportunity arises. I think the muse looks well upon on the rigorous dreamers.

Thanks for sharing all your advice, Estelle.

Giveaway Details

Estelle is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through January 25th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that’s okay. Just let me know in the comments.

If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Upcoming Interviews, Guest Posts, and Blog Hops

Wednesday, January 15th I have an agent spotlight interview with Jon Cobb and a query critique giveaway

Thursday, January 16th I'm participating in the Winter Wishes Giveaway Hop

Monday, January 27th I have an interview with debut author Nicole Hewitt and a giveaway of her MG The Song of Orphan’s Garden

Saturday, February 1st I’m participating in the Heart to Heart Giveaway Hop

Monday, February 3rd I have an interview with Rosanne Parry and a giveaway of her MG A Wolf Called Wander

Wednesday, February 5th I have an interview with Shelly Page and a giveaway of her YA Brewed With Love and my IWSG post

Monday, February 12th I have an interview with Elly Swartz and a giveaway of her MG Same Page

Sunday, February 16th I’m participating in the Wish Big Giveaway Hop

I hope to see you on Wednesday!




On Transitioning After a Debut Book Release: Author Mackenzie Reed and The Wilde Trials Giveaway and My IWSG Post

 Happy New Year Everyone! Today I’m excited to have Mackenzie Reed back to celebrate the upcoming release of her YA thriller The Wilde Trials. She shared a fantastic guest post on rules to follow when you write a mystery when her debut novel, The Rosewood Hunt, was released in October 2023. I read a lot of mysteries and thrillers and am excited to read Mackenzie’s newest release.

Here's a blurb from Goodreads:


From the acclaimed author of The Rosewood Hunt comes a thrilling new mystery about a high-stakes competition packed with shocking twists, second chances, and deadly deceit, where allies—and enemies—are the people you’d least expect.

Chloe Gatti will do whatever it takes to win her elite boarding school’s annual competition, the Wilde Trials. In the two weeks leading up to graduation from Wilde Academy, a dozen seniors are chosen to compete in a series of seven ultimate physical and mental tests, and the winner will take home over half a million dollars—money that Chloe needs to help her sick sister.

But the competition is fierce, and includes her brooding ex-boyfriend, Hayes Stratford, whose brother was the only student to die during the Trials a few years ago. When someone starts blackmailing Chloe during the competition, she’s forced to strike a deal with Hayes—if he helps her discover who is sabotaging her, she’ll help him solve the mystery his brother left behind.

Following clues from Hayes’s brother, the unlikely allies discover that something isn’t right about the Wilde Trials. With a lifechanging prize looming over her head and her buried feelings for Hayes rising to the surface, Chloe will have to decide what’s really worth fighting for, and if the cost of competing outweighs the potential consequences, even if that includes ending up like Hayes’s brother—dead.

Fans of Jessica Goodman and Maureen Johnson will love this dark academia thriller with a romantic twist!


Before I get to Mackenzie’s interview, I have my IWSG post.

Posting: The first Wednesday is officially Insecure Writer's Support Group Day.

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

The awesome co-hosts this month are: Rebecca Douglass, Beth Camp, Liza @ Middle Passages, and me!

Optional Question: Describe someone you admired when you were a child. Did your opinion of them change when you grew up? 
I’m going to skip the optional question. As some of you know, I post one to two middle grade author interviews and guest posts and join with a group of Marvelous Middle Grade Monday bloggers. Some of us in the group have been having Zoom meet-ups. One of the things we’ve been discussing is how to get more readers to read our group’s book reviews, interviews, and guest posts to help our blogs and the authors we feature.

One way to increase readership is to get more bloggers to join our group. We would then try to read and comment on each other’s blog posts like we do for the IWSG. People who join the group do not have to post something every Monday or read everyone’s blog post.

A few of us also review young adult books and feature young adult authors. We’re also thinking of starting a similar young adult group one or two Wednesdays each month.

Are any of you interested in joining one or both of these groups? Do you know any bloggers who might want to join us? If so, please email me at natalieiaguirre7@gmail.com. Thanks so much for your help.

Interview With Mackenzie Reed

Hi Mackenzie! Thanks so much for joining us.

1. Tell us about yourself and how you became a writer.


I grew up in a very creative family that always really encouraged my love of storytelling. When I was 10, I wrote my first song, and then I went on to primarily focus on songwriting throughout high school. In middle school, I rediscovered my love of reading and set out to write a book. I actually didn’t finish it until I was in college, but after that, I couldn’t stop! That book turned into a trilogy which I queried agents with. I ended up needing to shelve it, but then the next book I wrote connected me with my current agent. All in all, I’d always been a writer, it just took me a bit to realize books were the medium I wanted to make a career with.

2. It’s cool that you kept writing even though your first book took so long to finish and then loved writing. Where did you get your idea for The Wilde Trials?

The main characters – Chloe and Hayes – have been with me for ages. They’re angry exes who have to team up to solve a mystery, and that dynamic had really stuck with me, so I knew that whatever I wrote next, I wanted them at the center. I combined that with my love of competition books like The Hunger Games and Panic. I’ve been really into dark academia and went to a competitive private school myself, so the idea that teens could literally compete for the coveted valedictorian title felt like something I would love to read. Setting is also a big deal to me, so hosting the competition at the original school which is essentially an abandoned estate deep in the forest felt so delightfully creepy and like the perfect grounds for an increasingly dangerous competition full of morally gray academic rivals. Whenever I dream up new ideas, I like to think of what question it answers. This one is definitely: What would you do to win? Chloe’s answer is: Whatever it takes.

Your Writing Process: On Writing a Second Thriller

3. From the tips you shared in your guest post when The Rosewood Hunt was released, it sounds like you have a good system when plotting out a thriller. Has your process changed at all for The Wilde Trials or as you are writing new manuscripts? Also, how have you sped up the process of plotting out your stories now that you’re published and need to keep selling books on a regular basis?

Such a great question! The Wilde Trials was a little more mystery heavy, so something I had to be conscious of was making the setting work for the plot. I had to figure out how to move my characters throughout the estate in a way that kept the plot moving but also furthered the mystery. My process is still pretty similar, but I did have a revelation that as much as I plot books beforehand, I never really nail down the specifics of Act 2 (also known as the Fun and Games section) until I’m drafting it. This used to be incredibly frustrating, but now I’m giving myself the grace to have fun with it and trust myself to figure it out as I go, and it’s been a monumental shift.

4. It’s always great when you figure out a system that works for you. Good mysteries and thrillers not only have strong plots with lots of twists but also compelling characters. Share how Chole developed as a character and about your character development process in general.


Creating compelling characters is so incredibly important to me because they often drive my books. Chloe


started as a character that is very head strong and intelligent, but with an undercurrent of always feeling like she has something to prove. Her initial motive for entering The Wilde Trials is clear: she wants to win money for her sick sister. But on a deeper level, after getting bullied at Wilde Academy by a group of students who think she doesn’t deserve to be there due to her partial scholarship, she really wants to prove that she does belong there.

When developing characters like Chloe, I find it really important to keep them as real and multi-faceted as possible. She’s incredibly smart and driven, but she’s also heartbroken over her fractured relationship with Hayes. At the same time, she’s on track to go to medical school to become a doctor. That’s not talked about too much, but I feel like she’s very eldest daughter-coded in that she feels a lot of pressure to be the best and eventually be in a position to support her family, if needed. And that’s a lot for an eighteen-year-old girl to carry, so she’s not always going to do or say the right thing. I think that’s a reality for a lot of teens. Giving my characters internal and external goals, along with fears, keeps them real and well-rounded.

5. What was a challenge in writing The Wilde Trials, either before you submitted it or when you were working with your editor? How have you overcome it?

I had a very tight deadline to write The Wilde Trials during in order to keep us on track for its current launch date, so I wrote the whole book in 36 days. I tend to be a faster writer in general, but not that fast. In the beginning, so much of this book felt like I was barreling toward the finish line with absolutely zero idea if anything I was writing was good or even made sense. All I knew were the characters and plot and I just had to hope and pray it all connected how I envisioned.

But the most wild thing of it all is it did. I overcame that fear by just writing it because I had to, but it taught me a valuable lesson in realizing how far I’ve come as a writer. I really do know what I’m doing to an extent, which is definitely the feeling I’d hoped I’d have after writing several books. This book taught me to trust myself and that I always end up figuring it out and overcoming the hurdles.

Your Journey to Publication

6. I’m glad you can write a book in 36 days. The thought of having to do that terrifies me. Your agent is Amy Bishop-Wycisk. How did she become your agent and what was your road to publishing your first book like?


Amy and I connected after I was a mentee in RevPit, which was an online competition where my manuscript was chosen by an editor and we worked together to revise it in time for an agent showcase. Amy requested to read it based off the showcase, and the rest is history! That book actually didn’t end up selling, but Amy is an amazing agent and I’m so grateful to have her in my corner.

When I had the idea to write The Rosewood Hunt, I sent it to her and she loved it, so I started writing it and it ended up selling to HarperCollins after only being on sub for about a month, which was a vastly different experience than when my first book was on submission to editors. We’ve been working together for almost five years now and she’s had such a massive impact on me as a writer and the trajectory of my career. The advice “no agent is better than a bad agent” is truly so important to adhere to. I know it can be so discouraging to not secure representation right off the bat, but when someone’s going to be your business partner, it’s in your best interests to find someone who is excited to support and grow with you.

7. Other authors say the same thing about it doesn’t work if you have a “bad” agent. What was the process like of submitting your second book to your agent and publisher? Did having a publishing contract already make the submission process any easier?


This varies greatly from person-to-person, but for me, it was actually harder! When I wrote The Rosewood Hunt, the only person whose approval I needed was Amy’s because I didn’t have a publisher. For my second book, I needed the approval of my whole team, which consisted of my agent, editors, and I believe even the sales and marketing teams at my publisher. That’s a much broader group to please and Chloe and Hayes’s story initially looked a bit different. I had also sent a few pitches, so there was the potential to write something else entirely. It took a few months for us all to align on what the current story is, and while I love it so much and wouldn’t change a thing, it was a learning curve for sure to write something under that kind of pressure.  

8. It’s kind of good that you got all the approval before you spent your time and energy writing the book. I saw on your website that Mirabel Michelsen of United Talent Agency are your agents for film rights. How did they become your agents and what made you decide to be represented by them for trying to sell movie rights to your books?

This is one of my favorite stories to tell because I don’t get asked it very often! My agency had brought The Rosewood Hunt to the Bologna Children’s Book Fair in Italy, and it was apparently a hit. At the fair, there were scouts for United Talent Agency, and somehow the book got to Mirabel. She’s worked with Amy before, so they set up a call with me and it was an absolute dream. UTA is an amazing agency, and it was a no brainer that I’d love to have Mirabel in my corner! She had really great visions for The Rosewood Hunt and where the film rights might find the best home, so I felt really supported and aligned in that. When it comes to agents of any kind, it’s important to me to work with someone who doesn’t just love a specific book but also my style so we can collaborate for future books as well, so I’m delighted that she also loves The Wilde Trials and my other books.

On Promoting Your Book

9. How are you planning to promote The Wilde Trials? Has your approach to marketing changed since you were a debut author?


It has changed a bit! What I did for The Rosewood Hunt was largely focused on me being a debut author, so I had to do a bit of a branding shift since I’m no longer that. I primarily use my socials to promote, and that has stayed the same. With this book, I’m playing up the exes-to-lovers dynamic between Chloe and Hayes because I do think the romance is a little more present from the start in The Wilde Trials. That seems to really resonate with readers who love romantic tension!

10. What is your favorite social media platform? Has it changed since you were a debut author? If so, why?

I’ve always had the easiest time on TikTok, and that remains true. I love filming short form content and have the biggest community of followers on there, so I plan to continue prioritizing that one as long as it’s around. But I do like Instagram and am slowly but surely growing on there as well! Instagram is becoming more of a focus now just because I think it will prevail as the most stable platform moving forward.

11. What are you working on now?


I just finished the first draft of a new YA thriller that’s like A Good Girl’s Guide to Murder meets And Then There Were None. I can’t say too much about it yet, but I will say that this book is unlike anything I’ve ever written before or anything I ever thought I could write. I’m so proud of myself for taking a chance and doing it. I love it and think it has pushed me and helped me grow in all the best ways. I’m so excited to be able to talk more about it soon, so stay tuned!

Thanks for sharing all your advice, Mackenzie. You can find Mackenzie at: Instagram, TikTok, Threads, and Lemon8.

Giveaway Details

Mackenzie is generously offering a hardback of The Wilde Trials for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by January 18th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or your blog and/or follow me on Twitter or follow Mackenzie on her social media sites, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S.

Upcoming Interviews, Guest Posts, and Blog Hops

Monday, January 13th I have an agent spotlight interview with Estelle Laure and a query critique giveaway

Wednesday, January 15th I have an agent spotlight interview with Jon Cobb and a query critique giveaway

Thursday, January 16th I'm participating in the Winter Wishes Giveaway Hop

Monday, January 27th I have an interview with debut author Nicole Hewitt and a giveaway of her MG The Song of Orphan’s Garden

I hope to see you on Monday!




New Year New You Giveaway Hop

 

 

Happy New Year Everyone! Today I'm excited to host the New Year New You Giveaway Hop hosted by MamatheFox and Mom Does Reviews. I'm very grateful they decided to continue these giveaway hops. 

I hope you had a good holiday season. And for any of you who have a hard times during the holidays--I do since I lost my husband ten years ago--I hope you found had some good experiences during this time of year. My attitude is better this year, and I've taken steps to make the holidays easier for me. I'm happy it's working. If any of you need help with this, I'm here for you. Just email me.

Book of Your Choice or Amazon Gift Card Giveaway

I’ve got a lot of exciting newly released MG and YA book choices this month that you might like. You can also choose another book in the series by these authors or a book of your choice. You can find descriptions of these books on Goodreads. Here are your choices:
 









 
If you haven't found a book you want, you can win a $10 Amazon Gift Card.
 

 Giveaway Details

To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by January 15th telling me whether you want a book, and if so, which one, or the Amazon gift card and your email address. Be sure to include your email address.

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. The book giveaway is U.S. only and the Amazon gift card giveaway is International.

Upcoming Interviews, Guest Posts, and Blog Hops

Wednesday, January 8th I have an interview with author Mackenzie Reed and a giveaway of her YA The Wilde Trials and my IWSG post

Monday, January 13th I have an agent spotlight interview with Estelle Laure and a query critique giveaway

Wednesday, January 15th I have an agent spotlight interview with Jon Cobb and a query critique giveaway
Thursday, January 16th I will do a book of your choice or Amazon Gift Card giveaway

Monday, January 27th I have an interview with debut author Nicole Hewitt and a giveaway of her MG The Song of Orphan’s Garden

Happy Holidays! I hope to see you on Wednesday, January 8th!

And here are all the blog participating in this blog hop:


MamatheFox, Mom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.